![]() ![]() The event is televised, of course, but where can one watch it? Where can you watch the 2023 Rose Bowl Parade for free? Every year, hundreds of thousands of roses adorn slowly moving trucks and cars as they travel down the sunny roads in Pasadena. ![]() But there are millions who make it their annual rite of passage to watch the Tournament of Roses Parade, otherwise known as the Rose Bowl Parade. Is it worth watching the 2023 Rose Bowl Parade?.When can you watch the 2023 Rose Bowl Parade?.Where can you watch the 2023 Rose Bowl Parade for free?.Much of this information and the photos are thanks to our friend Ed Reitan and his great color site. Finding a happy compromise between picture size and viewing distance could be tricky for the engineer and the viewer, particularly if the latter must start rearranging furniture again.” And, since it is necessary to sit much farther away than from a black and white set, one wonders how big a color tube will be practical. The disadvantage of a small color image – roughly 12 1/2 inches – was much more noticeable with the parade than with earlier studio programs. This frankly, was a nuisance.Īnother difficulty related to the size of the picture. In the broad daylight and sunshine, it was necessary to draw the shades and cut out all glare if the colors on the TV screen were not to be washed out. The Tournament of Roses parade, received locally from 12:15 to 1:45 P.M., did emphasize several problems for the home viewer. On one set at least there was no perceptible streaking. Especially interesting from a technical standpoint was the remarkable stability of the individual colors as the NBC camera moved quickly from left to right and back again. To do it with constantly moving pictures seemed pure wizardry. To concentrate so much color information within the frame of a small screen would be difficult for even the most gifted artist doing a “still” painting. Occasionally there were overcasts of one tint or another but these disappeared with movement of the camera. In comparison the monochrome pictures seen on existing receivers seemed virtually meaningless.Īs the two NBC color cameras scanned a succession of elaborate floats, assorted military units, and other parade features, the scene was a veritable bevy of hues and depth at other times the close-up was better. But, overall, there is no question that the essence of the parades panorama of color was projected successfully on home screens some 3000 miles away. With so many sets in operation, each subject to relatively critical tuning controls and possible vagaries of electronics, the quality of the tinted images from Pasadena undoubtedly varied on some receivers. A number of set manufacturers also held demonstrations of color receivers in different cities. The American Telephone and Telegraph Company, in a amazingly speedy engineering accomplishment, put together a color network of twenty-two cities to which the Radio Corporation of America had rushed equipment. The Tournament of Roses parade had the largest audience thus far, probably several thousand persons to see color TV at one time. All things considered, the results were exceedingly good. The New Years Day Program was the first prolonged presentation of color video under circumstances where, unlike a studio show, neither lighting, nor movement could be controlled. “Color television’s most exacting test came with the National Broadcasting Company’s outdoor pickup of the Tournament of Roses Parade in Pasadena California. The set was named, “The Merrill”.īelow is the story The New York Times wrote about the color cast a few days later…. Starting March 25, 1954, 5,000 CT-100’s were manufactured in RCA’s Bloomington, Indiana plant. The “Model 5” was the prototype for the first RCA production Color Receiver…the Model CT-100. The Model 5 was provided to NBC affiliates and RCA Victor distributors for the Rose Parade and each location had a full house for the event. This set was designated as the “Model 5”, the fifth in their series of experimental color sets. RCA had also built a small pre-production run of 200 color receivers. RCA Broadcast had rushed transmitter modification equipment to the affiliates on the Bell color network path. Special permission for the colorcast was obtained from the FCC which, in its Decemapproval, allowed colorcasting to start 30 days later.ĪT&T Long Lines had hurriedly configured a color capable network of 21 television stations across the United States (list included below). This was the first ever national west coast – to east coast colorcast using the newly approved National Television System Committee (NTSC) standards. The First Rose Parade Color Cast…NBC, January 1, 1954 ![]()
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